Thursday, May 23, 2013

Civil War Jubilee: A Shadowy Sprig




The document fabric for this reproduction print in my summer collection Civil War Jubilee
is from an old sawtooth star full of madder-style reds and browns, a few stripes and paisleys,


The center square was pieced together from scraps. The quilter didn't have enough
to make the square, or perhaps she cut this piece from a worn dress and just cut across the seam.
I love the shadowy nature of the floral with a crosshatched background.


Civil War Jubilee is a dark line and this is the darkest print in it.


The purplish prints would have been appropriate for clothing if one were in half mourning---

Queen Victoria wore half mourning
for four decades after her husband died.

Etiquette demanded a widow go into full mourning, wearing black for a year and then half-mourning in which she might wear dark colors and prints for another year.

Half mourning dresses
from Godey's in 1848

See a page about Victorian mourning dress at Michigan State University's site:

A Gibson Girl, a merry widow in half-mourning, 
by Charles Dana Gibson

And one more thing about this print: We dyed the background a dark color and then printed over it with an even darker color, so the back of the fabric can be used as a dark solid---
Two for one!



Monday, May 20, 2013

Museum Quilt Shows: Antique Quilts Summer 2013

Time to get that bike in gear
 to see the summer quilt shows.

Here's a list of museum exhibits featuring antique quilts for summer, 2013.

California, San Jose
San Jose Museum of Quilts & Textiles. Milestones: Textiles of Transition.
How historic and contemporary textiles have been created for and continue to signify moments of transition.
Through  July 21, 2013
http://sjquiltmuseum.org/exhibitions_upcoming.html

Sarah Elliott Dunn
About 1860
Effingham, Illinois


Illinois, Springfield
Illinois State Museum. Civil War Quilters: Loyal Hearts of Illinois. 
Through September 8, 2013
This expanded show, which was in Chicago last year, features antique quilts with Civil War stories plus weapons and household artifacts from the era.

Kentucky, Paducah
National Quilt Museum. Antique Jacob's Ladder Quilts.
Through June 11, 2013
http://www.quiltmuseum.org/current-exhibits.html

From the Pieces of a Nation: Civil War Period Quilts.
July 12 to October 8, 2013
Quilts from Arlan & Pat Christ's collection.


Massachusetts, Lexington
National Heritage MuseumThreads of Brotherhood: Masonic Quilts and Textiles. 
Over 25 quilts, coverlets, needlework pictures, and hooked rugs with Masonic themes. Up through the spring.


Massachusetts, Lowell
New England Quilt Museum:
SILK! Luxurious Antique & Contemporary Works. Through July 7, 2013.
A Slice of Cheddar. A Selection of Antique Pennsylvania Quilts. July 11-October 14, 2013.
http://nequiltmuseum.org/home.html

June 15: Sue Reich will give a lecture: "Susie C. Walker: Her Life and Quilts in a 19th Century Connecticut Silk Mill Company Town"

August 8-10, 2013: The annual Lowell Quilt Festival will feature antique star quilts from the NEQM collection.
http://www.lowellquiltfestival.org/


Mrs. Ogahmahgegedo (Odawa),
ca. 1912
Peterborough, Ontario, Canada
Collection of MSUM, acc# 6814.1
For a similar Odawa quilt see New York below.


Michigan, Mount Pleasant
Ziibiwing Center. Great Lakes Native Quilting. 
16 quilts from the Michigan State University Museum. Through August 3, 2013.

Nebraska, Beatrice
Homestead National Monument of America. Lucinda Ward Honstain's Reconciliation Quilt is on loan from the International Quilt Study Center and Museum Through June 16, 2013.


Nebraska, Lincoln
International Quilt Study Center and Quilt Museum:
Indigo Gives America the Blues. Through June 2, 2013.
Perfecting the Past: Colonial Revival Quilts. Through September 1, 2013.
Posing With Patchwork Quilts: Quilts in Photographs 1855-1955. Through December 1, 2013.
The Engineer Who Could: Ernest Haight’s Half Century of Quiltmaking. June 7 - March 2, 2014.
http://www.quiltstudy.org/exhibitions/  

Album Quilt
Elizabeth Prickett
 Burlington County, New Jersey

New Jersey, Woodbury
Stitches Through Time: A Legacy of Quilts. Gloucester County Historical Society. More than 30 quilts dating from the 1830s-1930s. Through October, 2013.
http://www.rootsweb.ancestry.com/~njgchs/


New Mexico, Santa Fe
Museum of International Folk Art. Plain Geometry: Amish Quilts. 
34 quilts from the collection and local collectors. Through September 2, 2013.


New Mexico, Las Cruces
New Mexico Farm & Ranch Heritage Museum. Stitches in Time: Quilts from the Museum’s Collection. 32 quilts from 1830 to 1970. Through March 23, 2014.


New York, Brooklyn
Brooklyn Museum."Workt by Hand”: Hidden Labor and Historical Quilts.
Approximately 35 American and European quilt masterpieces from the Museum’s collection. Curator: Catherine Morris. Through September 15, 2013.


New York, Blue Mountain Lake
Adirondack Museum. “Common Threads: 150 Years of Adirondack Quilts & Comforters”
Historic and contemporary quilts. May 24 – October 14, 2013

Quilt by a member of the Odawa tribe
From the Katonah Museum exhibit.
See Michigan above for another Odawa quilt.

New York, Katonah
Katonah Museum of Art. Beyond the Bed: The American Quilt Evolution. 
Jean Burks, senior curator at the Shelburne Museum, explores "the wide range of antique and contemporary quilts intended as bed coverings, articles of clothing, furniture accessories, wall decoration, and finally, three-dimensional room sculpture. 

Pennsylvania, Muncy
Muncy Historical Society. Annual Quilt Show & Challenge.
Antique and vintage quilts, both from private collections and from the museum’s collection.
July 19 – 20, 2013


South Carolina, Charleston
The Charleston Museum. Early 20th Century Quilts.
Through August 4, 2013
http://www.charlestonmuseum.org/

The American Quilt Study Group's annual seminar will be in Charleston
September 18-23
http://www.americanquiltstudygroup.org/seminar.asp



Vermont, Essex Junction
Vermont Quilt Festival. June 28-30.
For Fellowship, Love and Farewell. The antique quilt exhibit this year is curated by Debra Grana and Sharon Waddell.
http://www.vqf.org/index.php?option=com_content&view=article&id=12&Itemid=7


Virginia, Williamsburg
Colonial Williamsburg. Foster and Muriel McCarl Gallery. Quilts in the Baltimore Manner. 
A dozen quilts 1845 to 1855. Curated by Linda Baumgarten and Kim Ivey.
Through May 11, 2014.
http://www.history.org/history/museums/abby_art_current.cfm

Washington, La Conner
La Conner Quilt & Textile Museum. Historical Quilts from Oregon's Latimer Quilt & Textile Center,
Through  June 23, 2013
http://www.laconnerquilts.com/exhibits/ 

Saturday, May 18, 2013

Small Pieces

Mini Morris
by Ronna Robertson

We recently had our guild quilt show where we make 100 mini's to auction off for charity. Deb who was in charge packaged up some strips from my Morris Apprentice collection to see what people would do. Ronna's little lily is about 8" square.

Little Lily
by Joan Cooper
Joan's is a little bit bigger but not much. That's an impressive inner border there finishing to about 1/4 of an inch. I was lucky enough to buy this one.

Landscape by Noell Memmott
Noell made a field of flowers for her small landscape by piecing in the tulips.


I've also been trolling the internet looking for projects made with my fabric and have found several small things made out of little pieces.


The quilter at the Quilted Pineapple did an impressive feather on a mini called Redville, pieced out of the Moda Candy precuts for Metropolitan Fair.
Click here and scroll down to see Greenville too.

Here's a tiny four-patch by Wendy on the Busy Thimble blog, also from Metropolitan Fair.
Click here and scroll down to see the whole thing:


And here's another mini for the guild by Mary Watson, done from small pieces of the Civil War Homefront line and a shirting print for a neutral.


This is a larger quilt made from the Morris Apprentice and other prints from Antarabesque's blog:


She alternated two blocks and created interesting secondary patterns.

Thanks to all the stitchers who use my fabric in ways I'd never think of.

Wednesday, May 15, 2013

Quilt Market Virtual Booth


Spring Quilt Market opens this week in Portland. I always try to prepare a virtual booth to show off the fabric Moda will be introducing.

The name of my collection that will be previewed at market this week is
Morris Modernized: CFA Voysey.

Charles Francis Annesley Voysey was a spectacular designer in England in the early 20th century.

CFA Voysey
1847-1941

He took the basic staples of  Morris design---inspiration from nature with intricate repeats on layers of pattern---and modernized the look.

Here's a Voysey design, Oswin from 1895, that echoes the characteristic Morris diagonal.

Thistle, also from the 1890s, builds on the traditional field flower that goes back to medieval tapestries.

William Morris drew detailed birds stealing strawberries and Voysey's simpler birds are also found among the berries.

Pyracantha 1901

But sometimes you have to look in the background to find them. One of Vosey's signatures is a great use of negative space.

Bird & Tulip


Birds & Berries

Since the booth is virtual I can have the late Mr. Vosey ready to hand out charm-pack freebies.

We may look a little threatening but do come into the virtual booth and see the line.
I love this photo of the artist with attitude.
I am wearing my hair in the manner of Lady Ottoline Morrell---
it looks better on her than on me.

The room we built for the virtual booth is one that Voysey designed. He was primarily an architect who designed furniture and all sorts of decorative details like the andirons here and the chair that Dot is sitting in, but it's his patterns for textiles and wallpaper that really speak to us today.

A sneak preview of the whole collection:
Morris Modernized
CFA Voysey

REALITY:
I'm not going to Quilt Market and neither is Dottie, but do look for my new fabric in the Moda Booth.

Sunday, May 12, 2013

Calico Balls for Fun and Funds

Perhaps a cotton print dress

I did a post a recently on a Civil War Calico Ball, which was a fundraiser. Calico Balls had a long tradition as entertainment too.  Many of the period references have to do with young people wearing inexpensive clothing and pairing up for the evening. A recurring theme describes a girl making a calico dress and a matching calico tie, which her escort might wear or which she might bestow upon a favorite at the dance.



Brooklynite Louise Masterson recalled her pre-Civil-War debutante ball, a calico ball where her escort had a strip of "my calico sewed down the side of his pants to match my dress...It was all too romantic."


In Lynn, Massachusetts in 1859 a Calico Ball was held where "All the ladies appeared in calico dresses, which at that time were the cheapest style of dress. A hundred couples were present. The prize of a gold bracelet was awarded to the lady who in the judgment of a committee was arrayed in the most neat and becoming manner,personal charms also being taken into account — and Miss Nellie Clapp was the fair winner of the prize. It was a very pleasant gathering; and the prevalence of silks and satins could not have added to its attractiveness."

Calico Balls were held from Nevada to Manchester, England to Calcutta, India.



A Joke:
Why did you call your calico ball an author's gathering?"
"Because we all appeared in print."— Phila. Bulletin



Here's a Calico Surprise dance program from 1867 printed on fabric
"To Mr. & Mrs. Bean"
A surprise party?
Notice the dances celebrate fabric mills like Merrimack and Sprague.


Related events included Calico Promenades. In 1863 the Brooklyn Eagle reported on a Calico Promenade Concert scheduled for February, but due to the cold it was poorly attended. Calico skirts could be chilly.

A few months ago Fourth Corner Antique Quilts offered a log cabin quilt about 1880-1900 with a small souvenir of a Calico Promenade stitched in.

The quiltmaker preserved a ticket or advertisement for the social event that was printed on a dotted calico.

Calico Balls continued as fundraisers, either for the poor or for ladies' organizations. In Houston, Texas, in 1879: "The Hebrew Ladies Benevolent Society...gave a calico ball for the purpose of swelling their treasury."




Calico Balls also took on another meaning. In many places they were what we might call costume parties, masquerade balls.

A children's Calico Ball with nobody wearing calico.

The Jovial Club's Calico Ball. I like the man 
dressed as a newspaper---but no one else appears in print.

Here's a scold:
"In the Camberwell New Road on Friday night last a most disgraceful gathering took place called a ‘Calico Ball’, which was an assemblage of people in costumes somewhat resembling those disgraceful masquerades that used to take place occasionally at the theatres some forty years ago, but those were conducted with some decency but these Balls which have not that apparent quality as some of the females were attired in tights, with a very questionable amount of other clothing."

There seem to have been some recurring roles at these masquerade calico balls. One could find instructions for a costume for Father Christmas or a Shepherdess.

In a pamphlet on costume making for masquerades Butterick patterns had this to say about Calico Balls:

"As the requirements of calico balls are very generally understood, they will need scarce more than passing mention...."

But fortunately they went on:

"Regarding materials for calico-ball costumes---there are, besides calico, many dainty fabrics, cotton crepes and the like, which may be made up most artistically; however there is most fun when all the costumes are made of the old fashioned calico....Among the costumes most generally chosen for calico balls are peasant and shepherdess dresses, and those for fish girls, flower girls and charity girls; poudre and watteau costumes and those for Cinderella, ...The men at such balls wear simply made character costume or dress suit made of 'calico'; or sometimes ordinary dress suits faced with bright cambric, or flowered fabrics...Strong color contrasts are desirable features in costumes of calico or other cotton fabrics."

Although this photo from the Brooklyn Fair is labeled New England Kitchen
the silly costumes might have been devised for the Calico Ball.
The man at  right might be poudre (powdered) or Watteau.
The exaggerated Lincoln hat is a prize winner.

Read the Butterick pattern book at the Library of Congress by clicking here:
http://www.read.gov/books/pageturner/musdi033/#page/2/mode/2up